LIGHTING DIAGRAM #2 – PRESUMED INNOCENT

            Harrison Ford’s character – Public Advocate Rusty Sabich – arrives at his office.  Find it at the 0:4:40 mark…             This single, unbroken shot was executed on the Panaglide (Panavision’s finicky 1980’s answer to the Steadicam) by future ASC member Craig DiBona (who also served as the movie’s camera operator).  The ‘Glide pans left-to-right … Continue reading “LIGHTING DIAGRAM #2 – PRESUMED INNOCENT”

8.7.2020

CONTEXT

            Has the way we think about and appreciate cinematography lost its context?             Until the mid-1990s, the highest standard was universally recognized as originating on 35mm negative, projected optically on a big screen in a venue that required the viewer’s attendance.  Now, outstanding work can be viewed anywhere and anytime across a variety of … Continue reading “CONTEXT”

8.4.2020