It’s hard for me to realize that during my extensive time working in and out of New York City I never met, nor was I aware of, a woman named Jessie Maple. I was only informed of her May 30 passing by a friend, a few days after the fact. Following careers in bacteriology, journalism and assistant film editing, she came to prominence in 1975 as the first black female admitted to IATSE Local 644 (forerunner of today’s Cinematographers Guild, Local 600).
Based on that fact alone, I’m certain of one thing: This lady had to have been a fighter with an iron constitution! When I recall the process of applying to that same organization a few years later, it makes my hair stand up. Unless you had some sort of inside hook (I didn’t, nor did Ms. Maple) their administration was openly hostile in ways that wouldn’t be tolerated for a moment today. I recall appearing before a membership review board made up of ten men who looked like me; to say they behaved like, let’s be frank – assholes – would be an insult to assholes. I can only imagine the treatment Ms. Maple received.
Things are different now, but the indignities had no end at that time. Trying to get work in an industry that was stuck in its ways and resistant to outsiders was no mean feat. Lawsuits, spiteful, recalcitrant crew members and unfair assignments (being forced to do frequent aerial photography despite violent air sickness) all would’ve broken the spirit of a lesser individual. Yet, Ms. Maple persevered and went on to do many great things as a cinematographer, filmmaker, writer and businesswoman. If young people are looking for a role model, I can’t think of anyone who better counters the notion of victimhood that’s presently degrading so much of our society.
In her 1977 book, How To become a Union Camerawoman,” she wrote, “I was too busy doing the work to slow down. I’d like to believe that my efforts have paved the way for the people behind me to work just as hard, but struggle a little less.”
There’s something there for all of us to draw from.
Ms. Maple, rest in peace. You have my respect and I’m sorry we never had the occasion to meet…
Thanks for highlight her, Richard, along with your memories of 644. It’s important to remember these things. I had never heard of her, either, until her recent passing.
David – I could tell you stories about 644 that you wouldn’t believe…!
Richard thank you for sharing her story. Agreed a great role model, Courage strength and persistence. It doesn’t look like her book is still in print but I’m interested in learning more about her.
As to 644, ditto, Rich! I came into membership in 1973 through an unusual manner. I was a staff newsreel cameraman at KYW-TV, Philadelphia, and we went on strike. Not a member of the local yet, I was asked to walk out. I said, geez how’s that going to work? I’m not in the union. Needless to say, I got a card almost immediately. I was also allowed to work at the Walnut Street Theater hanging Lekos. One day someone came in and asked if anyone wanted to work on a film being shot at night in the Philly area. I immediately jumped at the idea and went on to work on Elaine May’s “Mikey & Nicky” as an assistant to the legendary sound mixer, Chris Newman. Victor Kemper, ASC was the DP. My paychecks were more than I was making as a cameraman at KYW! At that moment I understood the brotherhood of the union. Later, Pat Capone, the DP on “Succession”, & I were on the exec board and were privy to the machinations of Local 644. Enuff said.
Thanks, Richard.
What a wonderful tribute.
I remember years ago sitting in the ante room of local 644 on eighth Ave. waiting for president Mr. Dean.
Politely, but smugly informing me that until hell freezes over would I ever step further into local 644.
Gresg – One of these days I’ll get to the story of applying and entering 644. It was the dying days of the Dark Ages! But I do remember that you signed my application…thank you again for that!
Gary – I remember Darwin Deen! He perfectly represented everything that was wrong with 644 at the time. One day I’ll post the story of my arduous journey to gain admittance. I’d bet he’d shit himself if he knew you were a member of the ASC today!
I am so glad to see a rebirth of the work of Jessie Maple. I rented their 3rd floor apartment on Convent Avenue in the early 1980s. She and Leroy were amazing individuals. While my theatre work kept me busy, I regret never going to 20 West.
Jessie and Leroy shot an interview for me, which I consider my first professionally shot interview. I was honored to have a signed copy of her book How to become a Camerawoman.
Kathy – Thank you for reading the post and I’m happy that it touched a note for you. I would love to have met Jessie as well…