Year: 2022

            From an interview with Oscar-winning director James Cameron in The Toronto Star, April 27, 2018:             “I don’t think you can just impress people with images.  It’s always in a context of the narrative and the characters.  Do you care?  Do you feel physically present and involved?  And then from there, now show me … Continue reading “WORTH REMEMBERING…AGAIN”

            Though soft lighting wasn’t used much by cinematographers until the late 1960’s, that doesn’t mean it didn’t occasionally appear in major films prior to then.             Director John Farrow’s The Big Clock (1948; photographed by John Seitz, ASC) is a terrific example of forward-thinking in this department.  It shows frequent and interesting experiments with … Continue reading “ANOTHER ONE FOR THE MUST-SEE LIST”

            St. John Paul II:             “Artistic talent is a gift from God and whoever discovers it in himself has a certain obligation: to know that he cannot waste this talent, but must develop it.”             Who am I to argue with or criticize a saint?  Let’s just get out there and shoot!

            By no means am I an acolyte of French Existentialist philosopher Jean-Paul Sartre, but occasionally he said something that resonated with me.             “A man’s work is nothing more or less than a slow trek to rediscover through the detours of art, the two or three great and simple images in the presence of … Continue reading “A MOMENT OF CLARITY”

            Today, an observation from celebrated director Jim Jarmusch:             “Nothing is original.  Steal from anywhere that resonates with inspiration or fuels your imagination.  Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows.  Select only things to steal from … Continue reading “IT TAKES A THIEF…?”

            Along with my producers, director and dedicated crew, I visited this amazing landmark on Catalina Island yesterday as part of an Avalon-wide location scout.             Entering the 20,000 square-foot Casino Ballroom took my breath away.  It’s one of those rare places, the likes of which will never be constructed again.  We didn’t spend too … Continue reading “THE CATALINA CASINO”

            Seth Godin is an author, popular blogster and businessman.  He once posted his assessment of how every medium evolves:             “The technicians who invented it, run it.             Technicians with taste, leverage it.             Artists take over from the technicians.             MBA’s take over from the artists.             Bureaucrats drive the medium to banality. … Continue reading “A PESSIMIST’S VIEW?”

            I caught Clint Eastwood’s The Outlaw Josey Wales (1976) on TCM last Sunday night and couldn’t help but marvel at the work of cinematographer Bruce Surtees.  As the son of three-time Oscar winner Robert Surtees, ASC (Ben Hur, The Graduate, The Last Picture Show, The Sting) and a longtime collaborator of Eastwood’s, he certainly … Continue reading “BOLDNESS CINEMATOGRAFIED”

            These words of French director Robert Bresson (1901-1999) always resonate with me when I start a new project.  I’ve been on both sides of the equation on innumerable occasions, and the real challenge has often been in convincing others of its truth.             “Someone who can work with the minimum can work with the … Continue reading “HE’S RIGHT…”

            Over the weekend I stumbled across this little exchange between Orson Welles and the great cinematographer Greg Toland, ASC.  It took place during the making of Citizen Kane in 1940.  Neither man requires any introduction.             Welles: “Isn’t it basically ridiculous that the film is in the camera?”             Toland: “Yes.  Eventually it will … Continue reading “TRUER WORDS…”