AN OLD-NEW TOY

            I recently came into possession of an old Konica telephoto stills lens (full name: Konishiroku 5 Hexanon 1 : f4.5 = 400mm).  Its provenance apparently traces to a small New England police department, but that’s as much as I know about it.  Compared to most lenses of this focal length, it’s not too big or heavy.  Consisting of four elements in four groups, it came with 55mm red and yellow filters, obviously for use with black and white film; when I took ownership, a UV filter was already screwed into the slot close to the mounting end.  All in all, the glass is spotless and the housing is in amazingly good condition for something manufactured in the early 1960’s.  I wonder how many times it was used in clandestine surveillance of criminal activity…

            But before we let our minds wander too far, I need to stick it on a camera and expose some images.  I have a Konica-to-EF adapter, so my trusty Canon 5D Mk III will be first to the firing line.  Then, I’ll follow up with the Konica-to-RF for a try-out on the Red Komodo.

            I’ll post the results when I get around to it, but if anyone has experience with this little gem, I’d be curious to hear from you in the comments section.  These days, cinematographers are always trying to discover unique looks by using all manner of glass.  I’ve got a feeling it might deliver something special.

7.21.2023

4 thoughts on “AN OLD-NEW TOY”

  1. I do not know your lens, but I have a Nikon 200mm f/4 from about 1967-68. I have heard that lenses designed for the flat plane of film are not as sharp on cameras using a sensor. I have actually tested this on a Canon 20D body and compared the Nikon with the Canon f/2.8 70-200mm. The Canon was sharper. Whether that can be attributed to the sensor of that time having “bumps” on the sensor to collect RGB light or just the age/technology of ’67-68 Nikon lens. It could be a nice lens for portraiture without using a diffusing filter.
    https://www.kenrockwell.com/nikon/200f4Q.htm

  2. I also have different mounts for my Komodo because I love, LOVE! using old lenses on new cameras. It’s like experimenting with potions to see if a new look or vibe can come out from the pairing.
    Please share the results with the Komodo!

  3. Hexanon lenses are one of my favorites, next to Minolta.
    I have a Konica T3 SLR body you can have if you want to mount directly to a film camera.

  4. Hexagon and Minolta lenses are my favorites.
    I have a Konica Autoreflex T that you can have to mount the lens directly.

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